Sunday, October 3, 2010
Contemplations: The Look
Monday, September 20, 2010
Contemplations: Emptiness
As I scan the elegantly decorated room, I find that I am immersed in a scene of joy. It is infectious, stretching its graceful arms in a welcoming gesture. But it distorts as it approaches my seat; my temporal disposition a blot of black ink on a canvas of rainbow colours. It lingers - it dances around me, approaching tantalisingly close, swimming on the hairs of my skin, flirting with my emotions, before dissipating like specks of golden dust caught in a gust of icy wind.
I can see beautiful women, teasing with their silk hair and piercing stares. I can see men steal glances, firing cupid's arrow with every turn of the head, with dismal precision. Yet notwithstanding astray arrows, I admire their courage and vigor and rue my want of such intent; my only arsenal an array of blunt arrow excuses.
I am sitting in a chair in the midst of a celebration of life, yet I sit here drenched in ethereal rain, mourning a non-existent death, notching a blunt arrow of an excuse onto a tired bow.
Wednesday, May 12, 2010
Moving to a location near you!
Sunday, April 25, 2010
Quick Entry: Bad Timing
Saturday, April 17, 2010
Hypothetical Situation I
Sunday, April 4, 2010
Quick Entry: Photogenic (or not)
Monday, March 29, 2010
Temptation
Saturday, March 20, 2010
Thinking... Thinking... Thinking...
Steer ones mind to thoughts.Astray in contemplationA capricious fool.
Tuesday, March 9, 2010
Tolerance
S.J: The invoice has been paid. Attached is the remittance advice: "Remittance.AJYDSPM.doc".S.J: Apologies, the document is meant to read "AJYDMPS".Representative: Our name is not AJYDMPS. It is 'Anderson Jamal and Yasutomi Digital and other Media Promotional Services'.S.J: I understand, but this is just a filename. Your full registered name is used in the remittance advice. It is just cumbersome for me to put your full registered name as the document name, thus the anagram.Representative: But AJYDMPS is not our registered name. We cannot use this.S.J: (swearing at said representative, behind his monitor) As you wish. The document has been renamed thusly: "Remittance.AndersonJamalandYasutomiDigitalandotherMediaPromotionalServices.doc"S.J jumps out of his seat and runs into a wall out of frustration.
Thursday, March 4, 2010
Time
Thursday, February 25, 2010
Mini Entry: Stigma
A.G: Sunny, I want to ask you something. Do you take the pill?S.J: Take the pill? Well I'm taking Roaccutane at the moment...A.G: I meant.. Nevermind. Do you smoke pot?S.J: Wait what? No, I don't smoke pot. Why would you think that?
A.G: Oh good. I just wanted to confirm. Someone told me you full did drugs. Like I was talking to someone and they said you smoke pot and then someone else said "Yeah! Didn't you know? He's a full druggo". But I was like, Sunny? No way!S.J: What the fuck? I've never done drugs in my life. Seriously.A.G: But like you know, I thought the first time I met you, I was like, oh my God, this guy is a total junky. 'Cause of your face and all.S.J: Thanks.
Wednesday, February 24, 2010
The F2 Project: The Results II & Conclusion
Tuesday, February 16, 2010
Late Night Conversations: Act III
Act III: The Truth
SCENE
A confined basement in CADOR’s house. The modest room is dimly lit by pale fluorescent lights, revealing gray plastered walls and a lifeless concrete floor. Barred rectangular windows line the ceiling. A moth circles a buzzing halogen lamp hanging precariously in the corner of the basement. The incessant sound of dripping water can be faintly heard.
WALT, JOHN, CALVIN and CLANCY are seated in rusty steel chairs situated in the centre of the basement. They don novel helmet-like contraptions and are linked by a multitude of black electrical wires. All are clothed in white. CADOR stands beside WALT tweaking an electrical device strapped to his arm.
Walt (nervously): Uhh… Hey Cador… What exactly are these things that you’re putting on our arms?
Cador: Don’t worry bro. Trust me.
John (squirming in his seat and adjusting his helmet): See that’s the thing Cador. We don’t trust you. What else do you have for us? Anal probes?
Cador (walking over to John and adjusting his helmet): Shut up faggot. It’s lie detecting equipment; all part of the experiment.
Clancy: Lie detecting equipment? Dude. It looks like a bunch of kitchen utensils and some cheap wires. I’m wearing a freaking metal bowl on my head. (Taps his head).
CADOR withdraws a device from his pocket as he walks towards the halogen lamp, progressively engulfed by the shadows. His face remains ominously illuminated by the wan light emanating from the lamp.
Calvin: What’s that?
Cador: This (brandishes the device) is what tells me if you’re lying.
Clancy: What are we being asked?
Cador (with a mischievous grin spread across his face): That’s up to me.
Walt (frowning): This is not going to be good…
Cador: Alright boys, this is how it’s going to happen. I’ll ask each of you a question in turn and you will answer truthfully. If you don’t, I will know and you will get shocked. If you do –
John (suddenly sitting up): Hey hold up. We get shocked? What the fuck?
CADOR presses a button on his device enthusiastically. JOHN convulses violently, his face aghast.
John (angrily): Bro what the fuck? I didn’t even say anything. Why did you shock me for?
Cador: Test run mate. (Laughs heartily) Look, it’s all part of the psychology aspect of the experiment. Give it a chance.
Walt (in an irritated tone): You shouldn’t shock him like that man. It’s wrong.
Clancy: We should just get this over and done with guys. He needs our help for his assignment. Just start Cador.
John: I still think this is fucked. Is that shit even safe?
Cador (ignoring JOHN): First question is for Walt.
Walt: Can Calvin go first? I think Calvin wants to go first.
Calvin (turning his head sharply towards WALT): No way man! He said you first!
Cador: Whatever bro. Calvin it is. First question: (pauses briefly as if in contemplation) how did you feel after that party the other day? I’m talking about where we fucked up.
The sound of dripping water intensifies.
Calvin (with a look of conviction): Nothing.
CADOR presses a button on his device and CALVIN convulses.
Calvin: I wasn’t lying man!
Clancy: Bullshit you felt nothing. Tell the truth.
Calvin (nervously laughing): Seriously guys. It was nothing.
The fluorescent lights flicker momentarily. CADOR presses a button on his device and CALVIN begins to convulse again.
John: Dude, I think Calvin’s going to say the same thing however many times you press that button. At this rate he’s going to turn into crispy BBQ chicken.
Cador: Fine, answer this instead: what is the biggest thing you regret of late?
CALVIN tilts his head and glances upwards towards the ceiling, deliberating.
Calvin (after a while): Shaving my pubes. It gets so itchy afterwards. (Laughs nervously).
Silence fills the room. JOHN, WALT and CLANCY shift uncomfortably in their seats, their faces bearing incredulous expressions. The lights flicker.
Cador (clearing his throat): Bro, that’s fucking chat. I didn’t want to know that...
Clancy: Dude, none of us wanted to know that.
Calvin: Isn’t it normal to -
Walt: Next question please?
Cador: Yeah, good idea Walt. You’re next.
Walt (sighing): Ah fuck… I think Clancy wants to –
Clancy: That only works once man.
Cador: Walt. Your question is: who are your last four crushes?
The sound of dripping water intensifies.
Walt: Can we skip this question please? I don’t have any crushes.
CADOR presses a button on his device. WALT convulses maniacally.
Cador: Lie.
Walt (stuttering): Fine! Just don’t press that button again. (Lapses briefly) Genevieve, Krystal, Zara and Helen.
The fluorescent lights flicker sporadically.
John: Genevieve? Krystal? Are you sure you didn’t just pick the last few girls you talked to? I mean, they seem to be girls that we have met recently.
Cador: Bro, do you really like Genevieve? Because you know I can hook you up.
Walt. No…
John: So you lied.
Walt: No… I mean –
Clancy: Wait, hold up. Helen? Didn’t she like you as well? And Zara? What the fuck man? Since when?
Walt(stuttering): I-I.. Look I -
Calvin: Hey I think we should move on since Walt answered his question.
Cador: Yeah bro. I don’t think he was lying.
Clancy (in resignation): Fine.
Cador: This one’s for you then Clancy. What was your last fantasy about a girl? Describe it.
Clancy (confidently): Making out with Lillian.
John: Dude, that’s pretty soft. Are you sure that’s the truth?
Clancy: What did you expect? A wet dream?
John: Yeah.
Calvin: Who’s Lillian?
Clancy: A girl who sat in front of me in class last semester.
Walt: Did you ask her out?
Clancy: Nah. Didn’t have the balls.
John: Don’t worry man. Remember me and Torts girl? Same deal. Next semester man, next semester.
Walt: Who’s Torts girl?
John: Long Story. Anyway, I still don’t believe you only dreamed about spooning her Clancy. So PG.
Cador (laughing): I believe – I mean the machine says he’s telling the truth bro.
John: That’s such a load of bull. What an anti-climax.
Cador: We’ll see what you got then bro. Your question: you said you liked Ophelia. Why don’t you ask her out?
John (scratching his head): Don’t know. Don’t want to be in a relationship I guess?
The lights black out.
John: Does this mean I win and that we can finally bugger off?
The lights turn back on. CADOR presses a button and JOHN convulses.
Cador: No. And you were lying.
John (scratching his head): Look… (Observes the moth succumbing to temptation and flying directly into the halogen light, disintegrating in the process and leaving a trail of smoke and ash)… I’m not cut out to be boyfriend material at the moment. I wouldn’t treat her right and I couldn’t stand that. And even if I wanted to dude, it’d be tough game.
Walt: Tough game? You’re a pimp man.
John (looking askance at WALT): Funny. Have you seen me lately? I look like a shriveled peanut; with measles.
Calvin: I don’t think it makes much of a difference. Honestly.
Cador: Yeah bro.
John (unconvinced): Whatever guys. So are we done? We’ve all answered your stupid questions Cador. Can I get this fucked up bucket off my head now?
Clancy: Yeah, I want out man. You owe us big time for helping you with this experiment.
Cador (with a confused expression): Experiment?
Walt: Your psychology experiment.
Cador: Oh. About that boys… (Laughs maniacally) Truth is there is no experiment. I just set this up so you guys would spill. I thought I’d pull one over you boys. You guys are fucking brilliant.
John, Walt, Calvin and Clancy (rising out of their seats and looking at each other): WHAT?
Light filters into the room through the barred windows and casts shadows which merge with those of JOHN, WALT, CALVIN and CLANCY as if ensnaring the four in a prison cell. The new source of light splits the four’s shadows into two and illuminates the basement, revealing a larger compartment than was originally perceived.
CADOR begins to run, leaving trails of laughter as the others pursue, bellowing angry jeers.
ACT DROP
Sunday, February 14, 2010
Chinese New Year
Sunday, February 7, 2010
The F2 Project: The Results
The F2 Project
The F2 ProjectHypothesis: Aesthetics are pivotal in successfully approaching the opposite sex when one has the intention of expressing one's affections.Method:1. Observe success rates of current condition.2. Improve:a) Physiqueb) Fashion sensec) Grooming (skin condition, hair etc.)3. Observe success rates of altered condition.4. Compare results.Control: (these pictures are approximately two years old)Next entry: The results*Please note: I know by writing this I'm being hypocritical, but it is for the sake of humour and to help a friend. It is meant to be ironic. Don't worry, I haven't succumbed to the dark side. I hope you guys know me well enough to comprehend the message I am trying to convey. The hypothesis will be proven incorrect. Also, the rest of the play is coming for those of you that have been requesting it. The agenda for the next act is a bit sensitive and personal, so I'm thinking of clever ways to make it conceited.
Friday, February 5, 2010
The Leech
It is often said that we ‘live and learn’. If that hackneyed phrase be the case, then I am convinced that many people live as leeches. If our faces were but portraits which veiled our inner dispositions, I am certain that many would have the formless head of a leech squirming behind their smiling canvas. Despite the surreal nature of this notion, I feel as though I have dispelled the illusion surrounding certain ‘acquaintances’ only to be dismayed by what lay beneath the front of friendship.
There is nothing more irritating than to realize that you are resource: a mere tool that is used at the discretion of another. You foolishly consider a person as a friend, but this consideration is not mutual – their perception of friendship is a guise to maintain the link between said resource and themselves. They seek you when they need you, but your existence to them is as insignificant as any passing stranger on a busy urban street. You are to them like a prostitute is to a sex deprived man. They exploit your acquiescent nature.
At risk of exuberating arrogance and vanity, I will proclaim that I am a paradigm of a resource who is probably too agreeable for his own good. To my consternation, I have as of late discovered that I have ‘friends’ who communicate with me solely with the purpose of obtaining something in return (for instance, university notes). It is difficult to convey the extent of my disappointment in these people.
“How do you deal with leeches then?” you may ask. According to Wikipedia, you may remove them by burning them off with an open flame or splashing them with acidic liquids. I may resort to these methods when my sanity begins to disintegrate (probably due to these said leeches).
Before I end this post, I must address the injustice that I have committed in dishonouring the leech by juxtaposing it with the various actions of people. First, the leech does not indulge in gluttony, which is more than what can be said for its ‘human counterpart’ (when they ask for ‘one thing’, they usually end up asking for everything). Secondly, as previously noted, the leech is subtle in its feeding. The human leech is often blatant in procuring its needs from established resources. To illustrate:
Wanker Blog Guy: “Hey! How are you?”
Friend: “Hi Mr Wanker Blog guy! Remember to send me your notes, because I have a test in three days. Oh silly me, that’s the same test you’re doing! Anyway I need to go now. TTYL”
Wanker Blog Guy: “OMG ANSWER MY QUESTION YOU FUCKING DICKHEAD. GO DIE IN A PIT. A PIT FULL OF TURD.”*
*This part never happens. Before realizing that I was a tool in both the literal and figurative sense, I used to comply with these requests and arguably, I still do.
In conclusion, leeches are awesome, but not human leeches. You guys suck (pun intended).
Monday, February 1, 2010
She is Too Good for Him
After musing over this substantially, I have taken the liberty of constructing a list of 10 signs which would indicate that a woman is too good for a man (assuming the woman does not possess these same attributes); I base these signs upon foundations of personal insight and knowledge obtained from various ‘enlightening’ conversations with the opposite sex. They are as follows:
1. He is a criminal and has a serious indictable offence under his criminal record
2. He has no direction in life
3. He is a notorious womanizer (and is therefore probably infected with chlamydia, syphilis, genital warts or other STI's)
4. He is a stout believer in archaic patriarchal ideals
5. He possesses disgusting habits
6. He has a twisted sense of morals and ethics
7. He is already married
8. He is a racist
9. He has anger issues and is prone to violence
10. He is too ugly
The following is an example of how to erect a checklist and effectively utilize my advice in a practical sense:
Disclaimer: This post is a response to comments made by 'certain' shallow people. I am not trying to say that all girls are shallow, nor am I giving earnest advice. Oh please don't take my advice.
And once again, some music:
"I don't want to talk to you anymore,
I'm afraid of what I might say.
I bite my tongue, every time you come around,
'Cos blood in my mouth beats,
Blood on the ground"
... To end, I will 'high five to better judgment' because 'by saying less today, I will gain more". This is my last bitter post on this subject/event. (Until of course someone stirs my pot again)
Friday, January 29, 2010
Late Night Conversations: Act II
ACT II: Winging It
Part I: Prologue
SCENE
A starry evening on a suburban street, lit by a row of faintly glowing lampposts. A tall wooden fence lines a grey walkway with overhanging luscious vegetation. In the distance, chirping crickets can be heard disrupting an otherwise apprehensive silence.
CALVIN, CADOR, JOHN and CLANCY stand behind the fence; the sound of closing car doors can be heard. Only their faces can be seen, lit by an eerie glow emanating from a nearby lamppost but shrouded by the overgrowth. There is a rustling of plastic bags followed by a loud thud that echoes through the night.
John (looking aghast at CADOR): Dude. Those speakers are massive. They look like they weigh a ton.
Cador: Bro, they’re fucking heavy, but they’re pretty ace speakers.
Clancy (sarcastically): So ace you don’t take them out to parties anymore?
Cador: I’m trying to change my image bro. What did you bring?
Clancy: Oranges.
John: You’re joking right? (The sound of a rustling plastic bag can be heard as he grabs the oranges off CLANCY.) Who brings oranges to a party? These are over-ripe as hell man. They’re going to be bitter.
Clancy: What? (The sound of a rustling plastic bag can be heard as he snatches the oranges back off JOHN. He looks into the bag and repeatedly sniffs.) Fuck, I think you’re right… What’s wrong with bringing oranges anyway? Better than bringing a shitty camera. At least you can eat oranges.
John: Every party needs a camera man. (Takes out a large camera and takes a picture of CALVIN. The flash is blinding. Looks down and chuckles.)
Calvin: Dude, delete that.
John (laughing heartily): Fat chance.
CALVIN tries to reach for the camera but JOHN quickly withdraws it.
John (with a mischievous grin): This is going on facebook.
CALVIN sighs.
Cador: Ey Calvin, did you end up bringing twister?
Calvin: Yeah man, found it on the bottom of my drawer. I haven’t taken it out since that last time when I broke my rib playing it.
Clancy: How do you break your rib playing twister? That’s stupid.
Calvin: Some fat bitch landed on me.
There is a momentary silence. A strong breeze rushes through the trees, wailing as if in utter despair. The light from the lamp post flickers briefly.
Clancy (smiling suggestively at CALVIN): So Calvin. What’s the plan for tonight? Talk her up? Get her number?
John: Yeah dude, what’s the plan? You have to talk to her. It’s imperative.
Cador: Bro, I swear, if you don’t talk to her tonight, I’m going to smack you a new one.
Calvin (waving around his box of twister playfully and avoiding eye contact): I’m still not one hundred percent convinced that she likes me man.
John: It doesn’t matter if it’s not one hundred percent. You just need her to be interested in you to some degree. Besides, we’ve already established that the interest meter is pretty damn high. Fuck, I’d be stoked if someone had one percent interest in me.
Calvin (dropping his box of twister and bending over to pick it up): Fine, I’ll talk to her.
JOHN moves towards CALVIN and moments later, CALVIN howls in pain.
Calvin (angrily): Why did you sack whack me man? That fucking hurt. I’m wearing fucking skinnies.
John (laughing): Good to know you got some balls. You’re going to need them.
Clancy: Hey guys, I think we better get going to this party.
Cador: Yeah man, we’re pretty darn late.
CADOR, JOHN and CLANCY begin walking off. CALVIN remains, his head lowered, dejected. He takes a deep breath, lifts his head, but in doing so, drops his box of Twister. He swiftly bends over to pick it up, and scurries to join the others.
Part II: The Aftermath
SCENE
It is pitch black and silent. Spotlights shine on JOHN, CALVIN, CLANCY and CADOR, lifelessly slumped on dull wooden chairs in a neat file.
Cador: We fucked up bro.
Calvin: Don’t worry guys. You tried your best. That’s all I care about. I’m not disappointed. Really.
John (sighing): Nah man, I fucked up big time. I accidentally told everyone that you liked her man. Remember? When the word ‘love’ came up for that stupid word game, I was like, ‘Oh! Calvin feels this for her’. Fuck I’m stupid.
Clancy (with a dejected laugh): That was pretty funny though, man.
Cador: Bro, I really thought we had it when we were outside watching you twirl those fire things Clancy. I swear Calvin was about to talk to her.
Clancy: Sorry guys that was my bad. I didn’t mean to send a burning piece of debris at her head. That was fucking embarrassing.
Calvin (looking down): As I said guys, don’t worry about it. I really don’t mind. I didn’t speak up in the end.
John: Man, if things just could have been different.
The spotlights dim.
Part III: An Alternate World
SCENE
A grand room in Catherine’s apartment. Myriads of people are gathered in clusters, their voices forming a chorus of chatter, like an incessant static drone, harmonizing with the introduction of ‘My Love’ by Justin Timberlake, that can be faintly heard in the distance. The room is clean, well-lit and vibrant.
CADOR, immaculately dressed and perfectly postured, with an air of arrogance, can be seen in the background conversing with an elegant woman. JOHN, CLANCY and CALVIN, are in the foreground, similarly exquisite, conversing with each other, as a flock of ladies look upon them with approbation.
Clancy: Cador seems to be doing a good job over there.
Calvin: I hope he doesn’t over exaggerate.
John: Don’t be so negative Calvin. He doesn’t need to over exaggerate. Look at those girls over there. (Slightly tilts his head in the direction of the ladies.) They’re all over you. If you have confidence, you can get anyone you want.
Calvin (casting an inquiring look at Cador): I wonder what he’s saying…
CADOR walks over to the trio with a confident strut and a triumphant grin spread across his face.
Cador: Guys, we’re in. She reckons you’re a superhero now Calvin. If she asks, you saved some kid from getting run over the other day.
Clancy: Dude, what the fuck?
Clancy(excitedly): Whoa man… this is so happening.
John: You’re up Calvin.
Calvin: Alright guys, I’m going in.
CALVIN walks assertively towards the elegant lady, taps her on the shoulder and begins to engage in a conversation.
Cador: Bro I think he’s doing it. I think he’s actually doing it.
John (laughing): Fuck. What a beast.
Clancy: Guys, I’m happy for Calvin and all, but we’re wasting an opportunity here. (Turns to face the group of girls)
John: I don’t get it.
Clancy: Those girls over there are pretty much begging for us to come over. I’m going. (Walks briskly towards the girls).
Cador and John together: Hey wait up man!
CADOR and JOHN follow CLANCY.
Part IV: What Really Happened
SCENE
A claustrophobic room in Catherine’s apartment. People are scarce and scattered, their voices dissonant with a slightly distorted and sporadically skipping introduction of ‘My Love’ by Justin Timberlake that can be faintly heard in the distance. The room is cluttered, dimly lit and bleak.
CADOR, JOHN, CALVIN and CLANCY are huddled in a dark corner of the room. They are plainly dressed, hunched and wear austere expressions. CALVIN is tightly clutching his box of twister. In the background is an elegant lady, surrounded by a cluster of her friends. A booming voice proclaims: “What really happened.”
Cador: Calvin bro, you haven’t spoken to her all night. It’s now or never. Man up.
John: Dude, don’t worry about it. Just talk to her and get to know her.
Clancy: Don’t be a wuss. Just go.
Calvin(frustratingly): You don’t think I want to guys? It’s just… hard.
John: Dude seriously. She’s over there having a chat. Just approach her. It’s not that hard.
Calvin: I-I-I… I can’t do it man. (Sighs.) Can we just go play Twister?
Cador: Bro, if you’re not going to do it, then I’ll do it for you.
CALVIN stares at the ground in silence. JOHN sighs with a tone of resignation.
John: Come on Calvin. Let’s play Twister. Let’s go Clancy.
JOHN, CALVIN and Clancy exit.
CADOR slowly walks towards the elegant lady. As he approaches, her friends disperse.
Cador: Hey…
The Light dims and all are silent; only the outlines of CADOR and the lady can be seen. The Lady shakes her head and walks away whilst CADOR remains, his head hanging low and lifeless.
ACT DROP
And a little music to end the post: ...Off by Heart by City and Colour
But they don't align for us
Excuse me for I am the ocean
And I will starve for you
Will You Know How To Stay Brave?
Such Fragile moments we share
You Are My Every Thing
And Even With Nothing To Say